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La Voix humaine

A landmark piece of twentieth-century French opera, this tragedy features a woman (alone) in the midst of a love affair, on the telephone for fifty minutes. Jean Cocteau called this character "Elle", as if to allow everyone to identify with and recognise themselves in this slow agony hanging by a thread. Despite bursts of life in the face of his various interlocutors, the silences of the character consumed by the feeling of abandonment have a poignantly intense central place in Francis Poulenc's opera. Finally, Cocteau wrote of his friend from the Groupe des Six: « My dear Francis, you fixed once for all, the tone of my text. ».

This Voix humaine allows many artists to dream, as if spending time with this work allowed them to situate themselves elsewhere. It is with this work that Margaux has been growing musically and artistically since 2016.


Video & photography: Cédric Paillard
Backstage photography: Héloïse Bertrand Oleari — Robin Le Bervet

Thesis

In 2023, Margaux Loire wrote a thesis on “The encounter between La Voix humaine and the child's voice through mediation”.

Download the thesis (PDF)

Recital

La Voix humaine is also available as a recital.

Learn more
Photo from the short film La Voix humaine

“Magnificently sung by Margaux Loire, soprano, and Robin Le Bervet, from the separation from her lover to the beaches of solitude to the point of no return.”

Cultures du cœur 12/01/2024

Photo from the short film La Voix humaine

“There are moments when I am appalled by this intolerable child. It is truly music composed in a second state.”

Letter from Poulenc to Pierre Bernac, 11 August 1958, quoted in L'Avant-Scène Opéra (Dialogues des Carmélites suivis de La Voix humaine), 1991, p. 136.

Photo from the short film La Voix humainePhoto from the short film La Voix humaine

“Quelle comédie ? Allô ! Qui ? que je te joue la comédie, moi ? Tu me connais, je suis incapable de prendre sur moi.”

Text extract

Photo from the short film La Voix humaine

“La Voix humaine was an astonishing experience for me, because I saw Francis Poulenc write it, page by page, measure by measure, for me, with his flesh and blood, but also with the wounds of my heart: we were both in the middle of a sentimental drama, we were crying together, and this Voix humaine was like a diary of our tears.”

Denise Duval, creator of the role Elle
L’Avant-Scène Opéra (Dialogues des Carmélites followed by La Voix humaine)

Photo from the short film La Voix humainePhoto from the short film La Voix humainePhoto from the short film La Voix humaine

“Tu sais, quelquefois quand nous étions couchés et que j’avais ma tête à sa petite place contre ta poitrine, j’entendais ta voix, exactement la même que ce soir dans l’appareil.”

Text extract

Photo from the short film La Voix humaine
Photo from the short film La Voix humaine

To program La Voix humaine in a cinema, or to program its simple recital version, contact us at the following address:

contact@margauxloire.com